Britney Spears Oops I Did It Again Friend

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio anthology by

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • third Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York City
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Popular
  • trip the light fantastic-pop
  • teen popular
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Stone" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Fourth dimension
(1999)
Oops!... I Did It Again
(2000)
Britney
(2001)
Singles from Oops!... I Did Information technology Once more
  1. "Oops!... I Did It Again"
    Released: April 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Exist the Terminal to Know"
    Released: March 12, 2001

Oops!... I Did It Again is the second studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Infant One More Time (1999), it is a pop, trip the light fantastic-pop, and teen pop record, the anthology incorporates a more than funkier and R&B sounds.[i] Contributions to the album'due south product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal operation. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the top ten in various others. In the United States, it debuted at number one on the Billboard 200, with first-week sales of 1.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This tape was broken fifteen years later on by Adele's 25, which sold over 3.38 million copies in its first week of release.[4]It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over x 1000000 copies in the United States, making Spears at historic period xviii the youngest artist to have multiple diamond albums.[v] With worldwide sales of over 20 meg copies,[6] Oops!... I Did It Again is one of the best-selling albums of all-time.

4 singles were released to promote the anthology. Its title runway was commercially successful in a number of territories, reaching number one in 15 countries and peaking at number nine on the U.s.a. Billboard Hot 100. Its 2d single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, inside the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, holland, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Austria, Finland, Deutschland, Poland, Romania, Sweden, Switzerland and the Uk, and peaked at number eleven on the U.s.a. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Kingdom of denmark, Frg, New Zealand, Sweden, and the Usa. Its final single, "Don't Let Me Be the Final to Know", was moderately successful on the charts, peaking at number i in Romania, and inside the top x in Austria, Poland, and Switzerland, but failed to nautical chart on the US Billboard Hot 100. To promote the album, Spears performed on several telly shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the starting time time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Again Tour, starting on June 20, 2000 and catastrophe at the Stone in Rio festival on January eighteen, 2001.

Recording and production [edit]

"When I did the first album, I had just turned 16. I hateful, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this next album'southward going to be totally different--specially the cloth. I just got finished recording the commencement vi tracks in Sweden two months ago, and the fabric is so much more funkier and edgier. And, of course, information technology's more mature because I've grown as a person too."

—Spears on the progression of her material for the album.[7]

Subsequently vacationing for six days following the completion of the ...Baby One More Time Tour in September 1999,[eight] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took identify in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (after covered by Gareth Gates), "What U Come across (Is What U Get)", and "Don't Go Knockin' on My Door" were the commencement to be recorded at Martin's Cheiron Studios in the outset week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in Jan 2000. Spears recorded "Don't Permit Me Exist the Last to Know" at Robert Lange'south villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Yous Now" was an outtake from ...Baby 1 More Time. "Girl in the Mirror" and "Can't Make You Love Me"'south instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[eleven] [12] Spears returned to New York, linking upwards with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that solar day. "I Kiss from You lot" was also recorded at Battery Studios just was after finished at 3rd Floor in New York Urban center. Spears also recorded the last track for the album "Dearest Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Urban center. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[thirteen]

Past January, the then-untitled album was halfway to completion; Spears had worked on information technology primarily in the United states of america and Sweden, and finalized textile in New York Urban center.[9] She was heavily pressured afterwards ...Babe Ane More than Fourth dimension 'due south huge commercial success, stating: "Information technology's kind of hard following ten million, I have to say. But after listening to the new material and recording it, I'thousand really confident with information technology."[14] Upon the release of Oops!...I Did It Once more, Spears said: "I mean, of grade there's some pressure", and added: "But in my opinion, [Oops!] is a lot ameliorate than the first album. Information technology'due south edgier – it has more of an attitude. Information technology'due south more me, and I recall teenagers will chronicle to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did Information technology Once again less than a year and a half later Spears' debut amounts to "very smart timing. My philosophy is when you accept a young fan base of operations, get 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Once more was considered as a sequel to Spears' debut album, ...Baby One More than Time (1999),[1] percolating with a advisedly measured blend of familiar pop, funk, R&B and power balladry.[sixteen] Spears said during an interview that the album has a more than mature, R&B-flavored pop sound. "It's not something I changed purposefully", Spears said of the anthology'southward sound and added: "It'south just something that kind of inverse on itself with me being older. My vocalism has changed a lilliputian chip and I'chiliad more confident, and I think that comes across on the material."[seven] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It'southward going to daze everybody", adding: "Information technology has flavors of the original, but information technology'southward a directly 2000 version — new to the ear. Which I think is cool, because people who appreciate that vocal are going to beloved it. And I made it so new and young that the young kids that love Britney are going to love information technology. It'south going to grab both a mature and immature audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Final to Know", telling MTV News: "When you hear the song, information technology's then pure and delicate. It's just i of those songs that pull you in", and added: "I think they wrote it 'particularly for me, because the lyrics of the vocal, if you lot really listen … they're more than of what I tin chronicle to, 'cause they're kind of young lyrics, I think. I don't retrieve Shania would probably sing some of the words that I'one thousand saying."[17]

The title rail and opening vocal, "Oops!... I Did Information technology Again", was compared to her debut single, "...Baby One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized vanquish. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'm in honey/That I'm sent from above — I'thousand not that innocent."[18] The song also breaks down for a spoken-word interlude, involving a line from the moving-picture show Titanic (1997).[18] The second runway "Stronger" is a synthpop[19] and R&B-infused rails,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the poetry "my loneliness is killing me" from her vocal "...Infant One More Fourth dimension".[17] Some other R&B-infused track, which also adds a fleck more funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging alee later on a breakup.[twenty] The fourth track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the vocal into an urban stomp.[21] The dance-pop version also jettisons the song'southward last poesy and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[Information technology] was my thought [to record the song]", Spears said. "I was just similar, 'I like this song,' and I think it will be a actually absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[13] The fifth track, "Don't Let Me Exist the Concluding to Know", was co-written by state-pop singer-songwriter Shania Twain and her and so-husband, producer Robert "Mutt" Lange, who also produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear information technology straight from yous", she sings.[17]

The sixth rail "What U Encounter (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the seventh track, "Lucky", is a eye-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[twenty] "If in that location's nothing missing in my life/Then why do these tears come up at nighttime?", she asks.[19] "School crush" is the theme of "One Osculation from You",[xx] a track that has a reggae-style crush and lyrics about the feelings of falling in love, and the quickness of it,[23] with Spears cooing that afterward simply i kiss she sees her entire future with her lover.[24] The carol "Where Are Y'all Now" talks almost wanting to know where a previous love is, and what that person is up to, so that she can finally let them become and find closure.[ citation needed ] Lines on "Tin can't Make Y'all Honey Me", a Europop vocal,[21] state that fancy cars and coin pale in comparison to true beloved,[xx] with Spears singing: "I'1000 but a girl with a trounce on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string department with a loping hip hop beat,[17] while Spears makes her ain songwriting debut on the modest, keyboard-driven ballad "Dearest Diary", which she said is autobiographical. On the track, she sings of wanting to go "so much more than friends" with a boy.[17]

Release and promotion [edit]

In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Nail Hits in the United Kingdom.[25] In Italia, she did a short interview on the telly show TRL Italy in early on 2000.[25] and gave a surprise functioning in Paris in May 2000.[26] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a brusque United Kingdom outing in October 2000.[26]

Oops!... I Did It Again was first released in Japan on May 3, 2000, and was later released in the United States on May 16. In the U.s., Spears appeared on Saturday Dark Live on May 13, The Rosie O'Donnell Prove on May 15, and Teen People'due south 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May thirteen, Spears was both the host and musical guest on NBC'due south Saturday Night Live. She also performed on NBC's The Tonight Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney'south Outset Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio Metropolis Music Hall, Spears gave a memorable live performance.[thirty] which included a cover of the Rolling Stones'southward hit single "(I Can't Become No) Satisfaction" (1965) and her ain striking "Oops!... I Did Information technology Again", released earlier that year. While she began her segment in a black accommodate, she shocked the audience and the media while, at only the age of 18, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] Ane month earlier the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Flim-flam goggle box special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Over again album that features her twelve new songs.[32] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was too amid the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was too expected to appear on a Grammy-solar day TRL.[34]

The album's supporting tour, the Oops!... I Did It Again Tour, visited Northward America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Exist the Last to Know". On June 24, 2000, Spears was featured in a impress and television receiver advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the make called "I've Got the Urge to Herbal" that was featured in lx-second radio spots and was part of a pre-concert video presentation for Spears's fifty-city summertime concert bout, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did It Again" was released as the lead unmarried from the album and achieved worldwide popularity. It became Spears's tertiary summit-ten striking single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut unmarried "...Baby 1 More Time", Jive Records considered "Oops!... I Did It Once again" a minor thwarting.[36] The song peaked at number i on the United states Mainstream Top forty,[37] holding the tape for the almost radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in at present-iconic blood-red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Centre of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[39]

The album'southward 2d single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number 5 on the Uk Singles Nautical chart.[40] In the United states, "Lucky" only managed to peak at number 20-three on the Billboard Hot 100 chart and at number ix on the Mainstream Meridian 40.[36] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy pic star and shows her conflicted relationship to fame.[41]

The tertiary single, "Stronger", was released on October 31, 2000 and became the album'south second highest-charting single in the U.s., peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[36] Information technology reached number seven on the Great britain Singles Chart.[42] Its music video sees Spears catching her beau adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]

The fourth and terminal single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is i of Spears' favorite tracks of her career. In the United states of america, the song performed well below expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Top 40. All the same, the vocal attained success in Europe, topping the Romanian Superlative 100 and peaking within the top ten in Austria, Poland and Switzerland, while merely missing the top ten in Germany, Ireland, Sweden and the Britain, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional boyfriend, played past French model Brice Durand.[45]

"You Got It All" received a promotional release in French republic in May 2000. A promotional CD unmarried for "When Your Optics Say It" was released in the Britain in Jan 2001.[ citation needed ]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [i]
Billboard favorable[xvi]
Christgau's Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia 8/10[50]
NME eight/ten[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.internet [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Once more received an average score of 72, based on 12 reviews, indicating "by and large favorable reviews".[53] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More than Time'," but remarked that, "Fortunately, she and her product team not only have a stronger overall set of songs this time, but they likewise occasionally get carried away with the same bewildering magpie artful, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve every bit its heart. In the end, it's what makes this an entertaining, satisfying heed."[ane] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't exist conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a immature woman coming to terms with her inner power—and that'due south a darn good message to offer an impressionable audience."[16] Entertainment Weekly's David Browne gave the album a B-rating, writing that the album "reminds us once again that the best new popular can exist a blast of absurd air in a stifling room."[21]

Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of 5 stars rating, calling the anthology "fantastic pop cheese, with much ameliorate vocal-manufactory hooks than 'N Sync or BSB get", also noting that "the great thing about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of stone & coil tradition."[22] A writer of NME reported that "she'southward modernistic-solar day pop perfection realised in a nearly, human form", commenting that "she'due south done it once more."[19] Lennat Mak of MTV Asia named it "a brilliant 2d album", writing that Spears "is armed with a more mature and seasoned pop star expect, stronger and poppier songs, and of course, all-encompassing media exposure."[50] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message just for the way information technology applies the conventions of the pop-musical medium."[51] Website The A.Five. Lodge was more than mixed, calling information technology "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plough and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the United States, Oops!... I Did It Once more reportedly sold 500,000 copies in its first mean solar day of release.[60] It debuted at number one on the Billboard 200 chart, with kickoff-calendar week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest offset-week sales past a female creative person.[64] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 past Adele, which sold over 3.38 meg albums in the United states in its first calendar week.[4] The album fell to number 2 in its second week, with boosted sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did Information technology Over again had sold over three one thousand thousand copies and had passed five million copies past August.[68] On its seventeenth week on the nautical chart,[69] it was certified septuple Platinum past the Recording Manufacture Association of America (RIAA) for shipments of seven 1000000 units.[seventy] [71] The anthology spent eighty-iv weeks on the Billboard 200, xxx-ane weeks on the Canadian Albums Chart, and two weeks on the Us Catalog Albums.[72] Oops!... I Did It Again debuted at number fourscore-two on the European Acme 100 Albums, and quickly peaked at number 1;[73] it sold over 4 one thousand thousand copies within the continent, being certified iv-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did Information technology Once again reached number two on the United kingdom of great britain and northern ireland Albums Nautical chart,[38] selling 88,000 copies in the kickoff week of release; information technology remained in the top five for four weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its first calendar week.[75]

It topped the French Albums Chart[76] and the German Offizielle Acme 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de 50'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number ii on the Australian Albums Chart, and spent 10 weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Clan (ARIA) the following yr after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number iii on the New Zealand Albums Chart and was certified Aureate later on only one week on the nautical chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Over again became the third acknowledged album of 2000 in the United states of america, selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling anthology according to Billboard Year-Terminate of 2000.[86] On Jan 24, 2005, the anthology was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] As well, the album landed at number twenty-7 on BMG Music Club all-fourth dimension best-sellers list with 1.21 million units, behind Shania Twain'southward The Woman in Me (1.24 million) and Nirvana'south Nevermind (1.24 meg).[89] As of July 2009, the anthology has sold nine,184,000 copies in the Usa, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold 2.5 million copies in its first week (second highest starting time week sales by a female artist worldwide) and sold 15 million copies by the terminate of the year. It was the best-selling female album and 3rd best selling album of 2000. The album has sold 20 million copies worldwide.[six]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U Come across (Is What U Go)" and "Can't Brand You Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Run into Is What Y'all Get" in 1999 to ane of Spears' representatives for consideration on a future album, though it was rejected.[91] The case was later dismissed after it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the two songs to prove copyright infringement."[92]

Track list [edit]

Oops!... I Did It Once more  – North American edition[93]
No. Title Writer(southward) Producer(s) Length
1. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
three:23
three. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
three:43
4. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Allow Me Be the Final to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
6. "What U See (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
three:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
iii:26
8. "One Buss from Yous" Steve Lunt
  • Lunt
  • Larry "Stone" Campbell
3:23
ix. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
10. "Can't Make You Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
three:17
xi. "When Your Eyes Say Information technology" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did It Once again  – International edition[94]
No. Title Writer(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
13. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Championship Writer(south) Producer(south) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
xiii. "Y'all Got Information technology All" Rupert Holmes Eric Foster White 4:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 52:33
Oops!... I Did It Once again  – Japanese, Australian, Mexican, Asian and United kingdom of great britain and northern ireland special edition[96] [97]
No. Championship Writer(s) Producer(southward) Length
xi. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You lot Got Information technology All" Holmes White 4:10
xiv. "Eye"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
fifteen. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did It Again  – Australian special edition (bonus disc)[98]
No. Championship Length
1. "Don't Let Me Exist the Concluding to Know" (Album version) three:l
2. "Don't Allow Me Exist the Last to Know" (Hex Hector Radio Mix) iv:01
iii. "Don't Permit Me Exist the Last to Know" (Hex Hector Club Mix) 10:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
5. "Stronger" (Pablo La Rosa'south Tranceformation) 7:21
6. "Oops!... I Did It Once more" (Music video) four:eleven
7. "Lucky" (Music video) 4:07
eight. "Stronger" (Music video) three:37
9. "Don't Let Me Be the Last to Know" (Music video) 3:51
Total length: xxx:52
Oops!... I Did It Again  – Asian special edition (bonus disc)[99]
No. Title Length
1. "Oops!... I Did It Over again" (Music video) 4:20
2. "Lucky" (Music video) 4:14
3. "Stronger" (Music video) 3:47
4. "Oops!... I Did Information technology Again" (Karaoke) 4:17
5. "Lucky" (Karaoke) iv:eighteen
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Runway 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones unmarried.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Bricklayer, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Woods – banana engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Bricklayer, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – fine art direction, design
  • Marker Seliger – dorsum comprehend, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken word
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – brand-upward
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Colina – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Hairdresser – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweetness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – groundwork vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – groundwork vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of best-selling albums
  • List of best-selling albums by women
  • List of best-selling albums in the U.s.a.
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Again has sold nine,201,000 copies in the United States according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly pop in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Year by year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

smithtiorstionat.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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